“How’s the book doing?” All authors gnaw at this question before answering, no matter if our book sold 100,000 copies (but the last one sold a million), if 2,730 lovingly produced volumes of our self-published work still lie wrapped in brown paper in the garage, or if the book, in everyone but the author’s eyes, is doing perfectly fine.
Not many writers can give the straight answer that the questioner usually expects (“Oh, it sold 10,802 copies in the first 14 months,” for instance), for the simple reason that nobody seems to know this figure. Only by accident, for instance, did I or (apparently) the publisher learn that the 4th updated edition of my co-authored Turkey Unveiled actually sold out in a couple of months after publication in December 2011. A reprint was quickly ordered up. Yet, now that Dining with al-Qaeda is two years old, I would like to know how many copies have been sold. Where to start, though?
Who wants to believe the amazon.com weekly sales tracker at “author central”, informing you occasionally that you sold no copies of any book whatsoever in the past week? (However you do, of course, allow yourself a pat on the back when it says that last week a dozen of copies of one of them suddenly sold in one town – this week’s thank yous to Houston TX, Boston MA and Washington DC!).
The perplexing vagueness continues with publishers’ weird accounting. After Dining with al-Qaeda came out in March 2010, I was astonished by the several thousand copies reported sold in the first half-year statement from Thomas Dunne/St Martins Press. Tearing open the full year’s statement with premature glee, I then discovered that the number had fallen by more than one third. Bookshops had apparently sent back what they couldn’t sell, leaving a good total in readers’ hands, but still, well, less than before. From previous books I know that actual royalties roll in much later, taking years to pay off any advance. Even then the math never seems to add up – and, as an agent once told me, publishers make money long before authors pay off their advances.
So, I admit it, I’m not one of those lucky few authors who actually make a cash profit from writing books. That gives me a weakness for what my old Crisis Group boss Gareth Evans disparaged as time-wasting “psychic income”.
My first installment of this virtual revenue came from launch tour events in New York and Washington DC and elsewhere, that happy period when for a historical moment Dining with al-Qaeda was #1 in amazon.com’s ‘Middle East books’. More gratification came from reviews in the media. And even if they didn’t write about it, many former reporting colleagues seem to have actually read the book and enjoyed it.
Secondly, I’m proud to say that readers on amazon.com give it an average 4-1/2 stars in the US and 5 stars in the UK. Please indulge me by sharing some of their views:
“A superb book” (Arabourne); “the author’s transparency of thought [shows an] ability to get into the Arab mind, in all its complexity” (David Schlosberg); “a valuable journey … first-rate understanding of the interplay of history, politics and culture” (BlueRidgeVa); “As an American woman who has lived for 15+ years in the region, I consider this book to be a must-read for Westerns who have never traveled to the ME” (L. Campbell); “I was caught up in the moment” (S. McGee); “The smells, dust, noise of the Turkish, Arab or Iranian streets burst from the book’s pages” (F. Brauer). Some see flaws, too, and if you insist on reading those, all can be found here.
I’m offered even better psychic income from invitations to discuss Dining with al-Qaeda with readers. The book never had academic pretensions, but one of my hopes while writing it was that new students of the Middle East would find it a fast track to understanding the context of their dry historical studies. So I was delighted to learn that Bucknell University in Pennsylvania made the book required reading for students of the International Relations of the Middle East. I then had great fun talking to the class via Skype under the watchful eye of their guide, award-winning academic Juliette Tolay, answering questions about what it felt like to see, hear and taste the Middle East – and why nothing changes as quickly as Westerners often hope.
I enjoy the steady demand for more traditional talks on the themes of Dining with al-Qaeda. Book clubs sometimes ask me along (my favorite audience), for instance a heady dinner in Brussels with several of the finest minds of the new European External Action Service. Most recently I spoke to four score grandees at the monthly Writers’ Lunch of the Oxford & Cambridge Club in London.
This occasional blog, of course, is another way for me to keep enjoying the book. At this two-year mark, about 26,000 people have visited.
Intriguingly, amazon.com’s tracker shows that book shipments plummeted for several weeks after January 2011, as stories of the Egyptian revolution predominated and the killing of Osama bin Laden in May made Americans think that the al-Qaeda chapter of their recent history had closed. Nevertheless, this year the book is coming out in French, probably as Rendez-vous avec al-Qaeda (Presses de l’Universite Laval, Quebec), translated by Benoit Léger. I’ve posted a translated excerpt about Syria (in French here, the original English here).
So French readers will soon also, I hope, discover the broader perspective that 30 years of traveling and reporting gives to, for example, the past year of Arab revolts and uprisings. Is it really an Arab spring, or merely the latest twist of familiar pieces in the Middle Eastern kaleidoscope? Allez-y! Découvrez par vous-même!
- A loaded pistol scares one person; an unloaded gun scares two
- The Daily Planet Spins into the Mideast’s Parallel Universe
- “Incredibly timely … I want to read it again” – A Traveler’s Library
- “Many would consider you to be an agent” – Zahraničná Politika, Slovakia
- ‘Dining with al-Qaeda’ Book Tour II (Washington DC)
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